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Scattered around are the emblems of all human endeavours – violin and lute, armour, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid’s foot.The painting illustrates the line from Virgil's Eclogues X.69, Omnia vincit amor et nos cedamus amori ("Love conquers all; let us all yield to love! A musical manuscript on the floor shows a large "V".
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Amor Vincit Omnia ("Love Conquers All", known in English by a variety of names including Amor Victorious, Victorious Cupid, Love Triumphant, Love Victorious, or Earthly Love) is a painting by the Italian early realist / post-Mannerist artist Caravaggio.
Amor Vincit Omnia shows Amor, the Roman Cupid, wearing dark eagle wings, half-sitting on or perhaps climbing down from what appears to be a table.
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Giustiniani is said to have prized it above all other works in his collection. Caravaggio’s treatment is remarkable for the realism of his Cupid – where other depictions, such as a contemporary Sleeping Cupid by Battistello Caracciolo, show an idealised, almost generic, beautiful boy, Caravaggio’s Cupid is highly individual, charming but not at all beautiful, all crooked teeth and crooked grin: one feels that one would recognise him in the street.